Why? Because Avid has largely dominated these markets since 1990.
While the NLE Wars may have impacted a large number of individual editors, event videographers, and small businesses, the majority of large post houses and high-end facilities in film and television industry were not affected. Competing solutions for editing required burning laser discs, but the Avid solution digitized media and allowed for nonlinear editing of those compressed JPEG video files. Priced between $50K and $80K, the Avid/1, was a complete hardware/software integrated solution hosted on an Apple Mac IIx computer. When Avid introduced Media Composer in 1989, it revolutionized film and video post-production. We hope you’ll enjoy the following abbreviated recap of Avid Media Composer’s early history as much as we’ve enjoyed retelling it – and be sure to join us at one of our celebration party Tuesday, October 22nd in Oklahoma City ! While TM Television has always offered a wide variety of alternative product solutions, our Avid sales and integrations have been some of our largest and most productive projects. Our client base now includes broadcasters and production companies, large corporations as well as medium and small businesses, ad agencies, pro and college sports teams, churches and ministries, educational institutions, medical centers, and government municipalities.
As Avid has grown and expanded into new areas, so has TM Television. It has been a 30-year journey in digital video for Avid since it first released Media Composer in 1989, and TM Television has been with Avid for 20 of those years.
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